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Component 1: Communicating information and ideas

Text A

Text A: from a newspaper feature about urban foxes (2025, written for this paper) At 2 a.m. on a Tuesday, in a car park behind a supermarket in south London, I am sitting in the dark with a flask of tea and a wildlife photographer called Dev, waiting for a fox. 'They're creatures of habit,' Dev whispers. 'She'll come along that wall, check the bins, then cross to the railway line.' Twenty minutes later she does exactly that: a slim vixen, rust-red under the orange streetlight, trotting along the top of the wall as neatly as a cat. She pauses, looks straight at us with an expression of mild contempt, and is gone. Britain has an estimated 150,000 urban foxes, and they divide opinion like few other animals. To some, they are a thrilling scrap of wildness in the concrete. To others, they are pests that rip open bin bags, dig up lawns and scream in the night like murder victims. Councils receive thousands of complaints a year. The truth, says Dev, is that foxes have simply adapted faster than we have. 'We built cities full of food and shelter, and then we're surprised something moved in.'

Text B

Text B: from a Victorian naturalist's notebook (written for this paper in the style of the period) March 14th. — Walked out at dusk to the old quarry on the common, where Thomas the gamekeeper assured me a vixen had made her earth among the fallen stones. He spoke of her with the bitterest enmity, she having carried off, by his reckoning, no fewer than eleven of his master's pheasants since Michaelmas. I concealed myself behind a thorn and waited the better part of an hour, growing very cold. At length she appeared — a lean, handsome creature, her brush tipped with white, who stood upon a stone and surveyed the country with an air of entire possession, as though the common, the quarry and the gamekeeper himself were all her property. I confess I could not share Thomas's hatred. There is something in the fox — her cunning, her boldness, her perfect fitness for the life she leads — which commands a kind of admiration even from those she robs. I resolved to say nothing of the earth to Thomas, and walked home through the dark well pleased with my evening.

Text A

Text A: from a newspaper feature about urban foxes (2025, written for this paper) At 2 a.m. on a Tuesday, in a car park behind a supermarket in south London, I am sitting in the dark with a flask of tea and a wildlife photographer called Dev, waiting for a fox. 'They're creatures of habit,' Dev whispers. 'She'll come along that wall, check the bins, then cross to the railway line.' Twenty minutes later she does exactly that: a slim vixen, rust-red under the orange streetlight, trotting along the top of the wall as neatly as a cat. She pauses, looks straight at us with an expression of mild contempt, and is gone. Britain has an estimated 150,000 urban foxes, and they divide opinion like few other animals. To some, they are a thrilling scrap of wildness in the concrete. To others, they are pests that rip open bin bags, dig up lawns and scream in the night like murder victims. Councils receive thousands of complaints a year. The truth, says Dev, is that foxes have simply adapted faster than we have. 'We built cities full of food and shelter, and then we're surprised something moved in.'
14 marks
Look again at the first two paragraphs of Text A. (a) Give two details about where and when the writer waits for the fox. (b) Explain what Dev's prediction shows about foxes.

Text B

Text B: from a Victorian naturalist's notebook (written for this paper in the style of the period) March 14th. — Walked out at dusk to the old quarry on the common, where Thomas the gamekeeper assured me a vixen had made her earth among the fallen stones. He spoke of her with the bitterest enmity, she having carried off, by his reckoning, no fewer than eleven of his master's pheasants since Michaelmas. I concealed myself behind a thorn and waited the better part of an hour, growing very cold. At length she appeared — a lean, handsome creature, her brush tipped with white, who stood upon a stone and surveyed the country with an air of entire possession, as though the common, the quarry and the gamekeeper himself were all her property. I confess I could not share Thomas's hatred. There is something in the fox — her cunning, her boldness, her perfect fitness for the life she leads — which commands a kind of admiration even from those she robs. I resolved to say nothing of the earth to Thomas, and walked home through the dark well pleased with my evening.
26 marks
Look again at Text B. Explain how the naturalist's view of the fox differs from the gamekeeper's. Use evidence from the text.
312 marks
Explore how the writer of Text A uses language and structure to present the fox and the people who live near it.
418 marks
'Both writers are fascinated by foxes.' How far do you agree with this statement? Compare the two texts and their perspectives in your answer.
540 marks
Write an article for a magazine about wildlife in which you argue that cities should do more to welcome wild animals. (24 marks for communication and organisation, 16 marks for vocabulary, sentence structure, spelling and punctuation)

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Answer every question to finish (5 left), or finish when the time’s up.

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This paper is written by Plasmo in the style of the OCR GCSE English Language exam. It is not a past paper and is not produced or endorsed by the exam board.

OCR GCSE English Language Mock Exam: Component 1: Communicating information and ideas | Plasmo