from 'The Inheritance' (written for this paper in the style of a nineteenth-century novel)
Miss Clara Ashworth had resolved, upon entering the drawing-room at Fernley, that she would not be afraid of her aunt; and she kept this resolution for very nearly a minute.
Mrs Ashworth sat by the fire in a high-backed chair, which she occupied as a general occupies a hill. She was a large woman, dressed in black silk that rustled whenever she breathed, and her eyes — small, pale and perfectly unblinking — travelled over her niece from bonnet to boot as though pricing her for sale.
'You are very like your mother,' she said at last. It was not a compliment.
Clara curtseyed, because she could think of nothing else to do. The room was hot and close, crowded with furniture that seemed to have been bought for its weight rather than its beauty; a clock upon the mantel ticked with such severity that it appeared to be counting her faults.
'Your mother,' continued Mrs Ashworth, 'married against the wishes of her family, and she was punished for it, as such women always are. I trust you have more sense.'
'I trust so, ma'am,' said Clara, and was dismayed to hear her voice tremble.
'We shall see.' The pale eyes moved to the window, beyond which the November rain was driving across the lawns. 'You will have the blue room. Supper is at seven. And Clara —' the name was spoken as if it had a sour taste — 'in this house, we do not cry.'
Clara went up the great dark staircase with her small trunk bumping behind her, and did not cry until she had shut the door.
Extract
from 'The Inheritance' (written for this paper in the style of a nineteenth-century novel)
Miss Clara Ashworth had resolved, upon entering the drawing-room at Fernley, that she would not be afraid of her aunt; and she kept this resolution for very nearly a minute.
Mrs Ashworth sat by the fire in a high-backed chair, which she occupied as a general occupies a hill. She was a large woman, dressed in black silk that rustled whenever she breathed, and her eyes — small, pale and perfectly unblinking — travelled over her niece from bonnet to boot as though pricing her for sale.
'You are very like your mother,' she said at last. It was not a compliment.
Clara curtseyed, because she could think of nothing else to do. The room was hot and close, crowded with furniture that seemed to have been bought for its weight rather than its beauty; a clock upon the mantel ticked with such severity that it appeared to be counting her faults.
'Your mother,' continued Mrs Ashworth, 'married against the wishes of her family, and she was punished for it, as such women always are. I trust you have more sense.'
'I trust so, ma'am,' said Clara, and was dismayed to hear her voice tremble.
'We shall see.' The pale eyes moved to the window, beyond which the November rain was driving across the lawns. 'You will have the blue room. Supper is at seven. And Clara —' the name was spoken as if it had a sour taste — 'in this house, we do not cry.'
Clara went up the great dark staircase with her small trunk bumping behind her, and did not cry until she had shut the door.
11 mark
From the first paragraph, identify the resolution Clara made on entering the drawing-room.
22 marks
From the paragraph beginning 'Mrs Ashworth sat', give two ways in which Mrs Ashworth is described.
36 marks
In the paragraph beginning 'Clara curtseyed', how does the writer use language and structure to show what the room is like? Support your views with reference to the text.
415 marks
In this extract, there is an attempt to create tension and show conflict between the characters. Evaluate how successfully this is achieved. Support your views with detailed reference to the text.
540 marks
Write about a time when you, or someone you know, arrived somewhere new and unwelcoming. Your response could be real or imagined. You may wish to base your response on an image of a large, dark house in the rain. (24 marks for content and organisation, 16 marks for technical accuracy)
Finished?
Answer every question to finish (5 left), or finish when the time’s up.
Score 0 / 64 · 0 of 5 marked
This paper is written by Plasmo in the style of the Edexcel GCSE English Language exam. It is not a past paper and is not produced or endorsed by the exam board.
Edexcel GCSE English Language Mock Exam: Paper 1: Fiction and imaginative writing | Plasmo